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INDONESIA
Jurnal Rupa
Published by Universitas Telkom
ISSN : 25031627     EISSN : 25031066     DOI : -
Core Subject : Art,
Arts
JURNAL RUPA is a peer-reviewed academic journal to provide a platform for an interdisciplinary forum in the area of visual arts. This journal welcomes submissions from artists, makers, designers, researchers, historians, and other writers in the field of visual arts. This journal is published two times a year by Telkom University.
Arjuna Subject : -
Articles 8 Documents
 1 
Search results for , issue "Vol 7 No 2 (2022): Open Issue" : 8 Documents clear
Penerapan Teori Joe Goldblatt pada Pameran Sense of Basokie Abdullah di Museum Nusa Tenggara Barat Muhammad Arfa; Sasih Gunalan; Haryono Haryono; Haryono Bayu Aji Pamungkas
JURNAL RUPA Vol 7 No 2 (2022): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v7i2.4860

Abstract

The Basokie Abdullah Sense of Exhibition was held at the West Nusa Tenggara Museum in collaboration with several communities. This study aims to identify and formulate a new model of exhibition. This research uses descriptive qualitative method adopted from Joe Goldblatt’s theoretical approach through 5 phases. The research results reveal that two exhibitions were formulated namely Special Event. This exhibition has positive response from audiences based on the interview. This study contributes to the new model in exhibition that carried out local values.
Visualitas Mooi Indie dalam Video Klip Pop Sunda Lingga Agung; Wibisono Tegar Guna Putra; Mohammad Isa Pramana Koesoemadinata
JURNAL RUPA Vol 7 No 2 (2022): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v7i2.4764

Abstract

Visualitas pemandangan alam di dalam video klip pop sunda seakan-akan menjadi pakem estetika tersendiri. Visualitas ini tidak muncul secara tiba-tiba, karena sofistikasi dan sublimasi estetika terbentuk melalui relasi antara pengetahuan dan kekuasaan. Sehingga, visualitas di dalamnya dapat dijadikan sebagai alternatif untuk melihat berbagai bagaimana dinamika yang berlangsung di dalam sebuah masyarakat. Penelitian ini adalah penelitian kualitatif dengan teori poskolonial dari Bhabha. Kami memilih 4 video klip berdasarkan tahun dan popularitasnya. Setelah itu, kami memilih scene yang berlatar alam, scene-scene ini kami deskripsikan dan interpretasikan. Hasilnya, keempat video klip yang kami analisis hanya pemandangan alam hanya digunakan semata sebagai latar—sebagai kosmetik belaka. Ditampilkan hanya untuk meromantitasi syair dan musiknya saja—walaupun tidak terlalu berkaitaan. Atas dasar inilah kami berkesimpulan bahwa keempat video klip pop sunda tersebut secara langsung atau pun tidak langsung dipengaruhi oleh mooi indie. Karena, keempatnya hanya menjadi semacam peniruan atas indahnya alam dari sudut pandang orang Barat (Kolonial). Kata Kunci: pop sunda, mooi indie, video klip.
Perancangan Motif Berbasis Wastra Batik Jawa Hokokai Untuk Produk Fesyen Generasi Milenial Paulina Tjandrawibawa; Marini Yunita Tanzil
JURNAL RUPA Vol 7 No 2 (2022): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v7i2.4920

Abstract

Indonesian batik has been known as one of the world's artistic cultural heritages. Based on data from the Ministry of Industry of the Republic of Indonesia in 2020, the batik industry is also one of the sectors that are considered to have great potential in generating national economic growth. According to Katadata Insight Center Research, 85% of e-commerce transactions are dominated by Generation Z consumers (born 1997-2012, aged 9-25 years in 2021) and Millennials (born 1981-1996, aged 25-40 years in 2021). Therefore, by seeing this potential, this study aims to create batik motifs that can attract the attention of the younger generation by applying a loungewear pattern, namely casual clothes that are comfortable to wear but still suitable to be worn outside the home or for online meetings. The traditional batik that will be used in this research is the Javanese Batik Hokokai, because it has a storythat can be a separate story to be conveyed to the younger generation.
Perancangan Aplikasi Digital Kultur sebagai Ruang Pamer Berbasis 3D Website untuk Karya Seni Rupa Ranti Rachmawanti; Djarlis Gunawan; Cucu Retno Yuningsih
JURNAL RUPA Vol 7 No 2 (2022): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v7i2.5586

Abstract

This article discusses the design of the Digital Kultur application to become a virtual exhibition space for works of art/other visual arts. The background for this design is the acceleration of virtual technology which makes artistic activities undergo a transformation from a reality space to a virtual space. Digital art exhibitions are growing, with the support of various website and smartphone-based application platforms. This phenomenon is the basis for conducting research related to the Design of Digital Kultur as a 3D Website-Based Exhibition Space for Visual Art Works. The research methodology used is qualitative experimental, by developing Digital Kultur applications into digital interactive art spaces. The research results show that Digital Kultur as a virtual space that can hold visual art exhibitions is designed to have various features that make it easier for artists and audiences to access and enjoy exhibitions just like in a real gallery or exhibition space. This design is not only related to feature development, but also pays attention to the process of interaction between artists and audiences, so that the reality of the exhibition space for works of art can be fully felt even in a virtual space.
Material Experience: Kebaruan Dalam Desain Yang Berfokus Pada Material Studi Kasus: Desain Aksesori Fashion Berbasis Material Polyvinyl Chloride (PVC) John Martono; Eka Arifianty Puspita
JURNAL RUPA Vol 7 No 2 (2022): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v7i2.4790

Abstract

Material selection is indubitably prominent in design creation. Technical and physical properties of a material are highly considered to determine function, utility, and manufacturing process. However, material selection is not only pivotal to design but also central to the users. Users have their own experiences with material that constructs their perception, association, and definition of materials. In fashion, the material experiences influence consumers’ purchasing decisions. Fashion consumers begin their reasoning with material thinking and interaction (if possible). The hands-on interaction of the product, where the material is implemented, stimulates memories that help their consuming decisions. Prior researches also argued that integration of material experiences in design will optimize outcomes, specifically providing user satisfaction. Those arguments inspired this research to investigate material experience in the design process. Experiences of material polyvinylchloride were observed by adopting the Material Driven Design method and the material experience’s pattern were illustrated by utilizing the Meaning of Material model. According to the research done in the Do-It-Yourself approach, material experiences were identified and seen transforming in every step of the process. Furthermore, the study of material experience was found beneficial for helping designers in understanding and measuring the intangible success of product, specifically user satisfaction.
Kode-kode Psikis dalam Film '27 Steps of May' (2019): Sebuah Analisis Teks Shofani Azhari; Yasraf Amir Piliang
JURNAL RUPA Vol 7 No 2 (2022): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v7i2.3983

Abstract

Film is an important medium to represent the social reality that occurs in society. This can be seen from how a film can present a portrait of reality in symbolic forms full of meaning. The symbolic forms in the film can be related to the psychoanalytic theory in the film. The psychoanalysis in the film can be attributed to the signs in the film. One of the films full of psychic codes is 27 Steps of May (2019). This film directed by Ravi Bharwani tells about the trauma of survivors of sexual violence. May (played by Raihaanun) was the victim of gang rape when she was 14 years old. Due to deep trauma, his life later turned into a life without connection, emotion and even communication. This film shows how trauma greatly affects a person's life. The purpose of this study was to determine the psychic meaning of the codes in the film 27 Steps of May. The method used is a text analysis method with a structural semiotic approach. Semiotics is used to reveal the connotative meaning hidden behind the media text as a whole. The semiotics used is Roland Barthes' semiotics model. The results of this study are in the form of a description of the psychic codes in the film and how the body language and codes of the actors are related to psychological expressions. The results of this study were May, who hallucinated a hole in the wall inside her bedroom. This refers to the gestures and body language that are displayed in the scene as well as the psychic condition of May who is a schizophrenic, where she cannot understand the world around her normally because she is hallucinating.
Sunset Pura Ulun Bali Sebagai Inspirasi Dan Aplikasi Tata Rias Face Painting Noverainsy Millenia Suhandi
JURNAL RUPA Vol 7 No 2 (2022): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v7i2.3801

Abstract

Face painting is a kind of art that use a face to be the media; it is included in the art of makeup because it changes the face of some people to get the purpose of art. For now, face painting has grown into makeup and makes a face look more glamorous in any event, such as a Halloween party, carnival, UV glow painting, and fashion art wear. Many artists or influencers in cosmetology apply new techniques to get unique makeup. One of them is the grading color technique, a color transition gradually, combining some elements of change with exciting unity. Beautiful view of nature in Dewata Bali Island, exactly the sunset at Pura Ulun Danu Bratan has no doubt anymore. Hill views distributed the typical Bali architecture of Pura, and rivers have become a source of face painting makeup. This research uses the Project Based-Learning method to produce a product in the form of face painting by applying color gradation techniques; the technique is quite simple and makes the makeup look more natural. This study’s results can motivate artists to develop face-painting makeup ideas.
Deep Fear : The Digital Art Making Based On The Psychological Reaction of Pandemic Phenomenon Rendy Pandita Bastari; Iqbal Prabawa Wiguna
JURNAL RUPA Vol 7 No 2 (2022): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v7i2.4741

Abstract

The Covid 19 pandemic is causing global fall down in almost every aspect, from health, economic, culture, and without exception, psychology, more specifically, on fear. Recent study on psychological impact concluded that specific groups from specific socio-demographic variables would act differently based on their fear of the disease. Every specific group have it’s priorities to survive the pandemic. The mass media also plays a role in driving the fear of people, reported and exaggerating information on the disease. This paper aims to give an artistic approach and respond of the pandemic situation through digital painting and serve as visual artefact of the 2020 pandemic. The method used during the creation process is literature studies on several case studies and relevant theories. The creation begins with phenomenon observation, theoretical approach, conceptualization, and finalizing. The result of the artwork conceptually is that essentially that people fear the most is death which is what being represented through the artwork.

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